Culture

A Forgotten Indian Theory Of How Power Turns Comic Before It Turns Cruel

R S Hariharan

Feb 20, 2026, 01:15 PM | Updated 03:33 PM IST

An illustration from Bāṇabhaṭṭa's Kādambarī, the seventh-century Sanskrit romance at the heart of this essay (Original photo via Wikimedia Commons)
An illustration from Bāṇabhaṭṭa's Kādambarī, the seventh-century Sanskrit romance at the heart of this essay (Original photo via Wikimedia Commons)
  • Power fails because it works too well on the wrong parts of the human mind.
  • Long before leadership became an industry — before keynote speeches, executive coaches, and glossy manifestos — there was a quieter, more ruthless understanding of power.

    It did not ask how authority should be exercised. It asked something more uncomfortable: what power inevitably does to the person who holds it.

    One of the sharpest analyses of this problem appears not in political theory, but in a seventh-century Sanskrit romance. Bāṇabhaṭṭa’s Kādambarī, often described as one of the world’s earliest novels, pauses its elaborate love-story for a sustained monologue known as the Śukanāsopadeśa — the “Instruction of Śukanāsa.”

    Śukanāsa is no ascetic and no rebel. He is a minister — experienced, observant, and loyal — asked to advise a young prince, Candrāpīḍa, on the eve of his coronation. What follows is not encouragement. It is an autopsy, delivered before the patient dies.

    The Most Dangerous Moment

    Śukanāsa begins with a remark that would unsettle any ruler: the moment power arrives is the moment judgement begins to fail.

    Youth, he says, produces a darkness so dense that even sunlight cannot penetrate it. Education does not help. Scripture does not help. The intellect itself becomes cloudy — muddy despite having been washed clean.

    Then comes what he calls, in effect, a formula for collapse: high birth, great wealth, fresh youth, exceptional beauty, and physical power.

    Any one of these can corrupt. Together, they form a perfect storm. Privilege compounds, perception narrows, and restraint quietly exits the room. The problem is not that such people lack intelligence. It is that their circumstances systematically reward the suspension of it.

    Wealth as a Comic Force

    Śukanāsa’s most devastating move is to treat wealth not as a moral good or evil, but as a personality.

    He invokes Lakṣmī, the goddess of wealth, tracing her birth to the churning of the cosmic ocean. She emerges alongside intoxicants, poisons, volatile beasts, and dazzling but dangerous marvels. From these siblings, Śukanāsa suggests, she absorbs their habits.

    Wealth inherits cruelty from precious gems, restlessness from divine horses, arrogance from wine. It dazzles, moves quickly, and never stays long enough to be held accountable.

    Wealth, in this telling, is not tragic. It is comic.

    It produces absurd contradictions. It creates thirst while being born of the ocean. It elevates status while shrinking character. It promises stability while encouraging recklessness. It rewards those least equipped to handle it and avoids those shaped by learning or virtue, almost out of spite.

    Śukanāsa describes wealth as a kind of theatrical force: timid men grow ferocious, foolish men become intoxicated with self-importance, and ordinary flaws suddenly acquire costumes and applause.

    The Inner Circle Problem

    No ruler deteriorates alone.

    Śukanāsa turns next to the retinue — the advisers, courtiers, and confidants who orbit power. Their skill lies not in deception, but in translation: they translate vice into virtue.

    Gambling becomes “relaxation.” Predatory desire becomes “cleverness.” Cruelty becomes “strength.” Disregarding teachers becomes “independence.”

    Nothing is forbidden; it is merely renamed.

    Surrounded by this vocabulary, the ruler begins to believe he has transcended ordinary moral accounting. Mistakes stop looking like mistakes. Criticism begins to feel like insolence. Counsel becomes an insult to one’s intelligence.

    At this stage, Śukanāsa observes, power turns inward and hallucinatory.

    The Delusion of Divinity

    The final corruption is not greed or pleasure. It is delusion.

    Rulers begin to imagine themselves as something more than human — partial incarnations of gods. They see divine signs in their bodies, treat their commands as blessings, and imagine their mere presence as purifying. Even conversation with them is counted as a favour granted.

    Bāṇa’s imagery here is merciless. The symbols meant to exalt power become instruments of blindness. The ceremonial umbrella hides the ruler’s sight of the future. The noise of celebration drowns out advice. Ritual washes away courtesy instead of arrogance.

    The result is not awe, but ridicule. The ruler becomes, quite literally, a laughing stock — magnificent in display, absurd in self-understanding.

    The Only Thing That Works

    Śukanāsa offers no revolution and no withdrawal from power. His remedy is quieter and far more demanding: Gurūpadeśa — sustained, honest instruction.

    True counsel, he says, is painful to the corrupt and luminous to the receptive. It is a bath without water, cleansing without spectacle. A light without flame, illuminating without heat. Like moonlight, it dissolves even the densest darkness without announcing itself.

    Advice does not humiliate power. It calibrates it.

    The goal of governance, in this vision of nīti, is not brilliance or dominance, but steadiness: not being carried away by luxury, intoxicated by desire, deceived by clever subordinates, or inflated by one’s own reflection.

    When Candrāpīḍa finishes listening, the transformation is understated but decisive. He emerges washed, brightened, and inwardly purified.

    Why This Still Matters

    Modern societies like to believe that power fails because of bad systems or flawed ideologies. Bāṇa suggests something simpler and more uncomfortable: power fails because it works too well on the wrong parts of the human mind.

    Long before satire, political psychology, or leadership ethics became disciplines, a Sanskrit novelist understood that authority does not first make people cruel. It makes them ridiculous.

    And ridicule, when ignored, is always the prelude to ruin.

    R S Hariharan, PhD, is Assistant Professor at CAHC, JAIN University. With a background in science and technology and experience across research, linguistics, and industry, his work explores Sanskrit literature and India’s civilisational and scientific thought.

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